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Proverbs › Chapter 23

Proverbs 23

35 verses, grouped into the passages they belong to.

Dining with a Ruler

Proverbs 23:1–3

The first saying in this chapter is a three-verse scene: a young man invited to a powerful man's table.

Riches Make Themselves Wings

Proverbs 23:4–5

Read the whole unit The two verses are one argument: a command (stop overworking for riches) and the reason it is wise (riches leave).

The Stingy Host

Proverbs 23:6–8

The second meal scene in this chapter mirrors the first.

Do Not Speak to a Fool

Proverbs 23:9

The Fatherless and Their Redeemer

Proverbs 23:10–11

Read the whole unit The two verses are one legal drama.

Apply Your Heart

Proverbs 23:12

Correction of a Child

Proverbs 23:13–14

Read the whole unit The pair addresses a parent tempted to withhold correction, and its logic runs on a contrast of stakes.

A Father's Joy

Proverbs 23:15–16

Read the whole unit After the severity of the rod saying, the collection turns the parent around and shows you his face.

Do Not Envy Sinners

Proverbs 23:17–18

Read the whole unit Envy of the wicked is the honest believer's recurring illness, and Scripture never pretends otherwise; Psalm 73 is an entire psalm of it.

Drunkards and Gluttons

Proverbs 23:19–21

A three-verse saying against joining the party crowd, and the first of this chapter's two drinking texts.

Buy the Truth

Proverbs 23:22–25

A four-verse saying about honoring the people who formed you and the truth they handed you.

The Harlot's Ambush

Proverbs 23:26–28

A three-verse saying that begins with the tenderest sentence in the Thirty Sayings, "My son, give me your heart," and then shows why the father wants it: there is an ambush ahead.

Who Has Woe?

Proverbs 23:29–35

The chapter's final saying is a six-part poem on drunkenness and the most artful treatment of addiction in ancient literature.

Proverbs 23:29
Who has woe? Who has sorrow? Who has contentions? Who has complaints? Who has wounds without cause? Who has redness of eyes?

Six questions, fired without pause: who has woe, sorrow, quarrels, complaints, wounds nobody can explain, bloodshot eyes? The poem opens as a riddle whose answer, in the next verse, is those who linger long at the wine.

Proverbs 23:30
Those who linger long at the wine, Those who go in search of mixed wine.

The riddle's answer: the woe, the wounds, and the red eyes belong to those who linger long at the wine and go hunting for the next, stronger cup. The verse identifies drunkenness by its two behaviors, staying and seeking.

Proverbs 23:31
Do not look on the wine when it is red, When it sparkles in the cup, When it swirls around smoothly;

The poem's one command, and it is aimed at the eyes: do not even gaze at the wine at its most beautiful, red, sparkling, swirling smooth. For the person the poem describes, the fight is lost or won at the looking.

Proverbs 23:32
At the last it bites like a serpent, And stings like a viper.

The sparkle of the previous verse gets its sequel: "at the last," the wine bites like a serpent. The verse is the poem's hinge between beauty and consequence, and its key phrase is the delay.

Proverbs 23:33
Your eyes will see strange things, And your heart will utter perverse things.

After the bite, the disorientation: eyes seeing strange things, a heart producing twisted speech. The verse describes intoxication's assault on the two faculties Proverbs cares most about, perception and the heart's words.

Proverbs 23:34
Yes, you will be like one who lies down in the midst of the sea, Or like one who lies at the top of the mast, saying:

The poem's strangest picture: the drunkard is like a man lying down in the open sea, or asleep at the top of a ship's mast, everything pitching, nothing steady, danger on all sides and him unconscious of it. The verse renders the untethered feeling from inside.

Proverbs 23:35
"They have struck me, but I was not hurt; They have beaten me, but I did not feel it. When shall I awake, that I may seek another drink?"

The poem about drunkenness ends with the drunkard speaking in his own voice: numb to the beating he took, and already planning the next drink. It is one of the most honest portraits of addiction in all of ancient literature, and the sages close it without a verdict, letting the sadness of the sentence do the teaching.

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